Missed last week, but I’m back with a track from Beulah’s final album, Yoko. Of their 4 LPs, this is the only one I still revisit from time to time. There’s just something about the stripped down, brokenhearted poppy-ness that makes this album so much more balanced and appeasing over time than some of their earlier stuff, which tended to be a lot more one dimensional. More dimensions = better awesome for your music. This is why Laszlo Toth exists in 8 dimensions.